Cinematography

Camera angles
Over the shoulder shot

Dutch angle Over the head shot Extreme close up

 Low angle shot
 High angle shot
 Wide shot Full shot


Comments

Post a Comment

Popular posts from this blog

Narrative Analysis: Curfew (2012)

Narrative Analysis "Curfew" (2012) I will be applying Roland Barthes's narrative theory to the 2012 short film "Curfew" directed by Shawn Christensen. Roland Barthes believe a text is either open (which is that it's open for interpretation) or clones (which means there is just one obvious meaning in the text. If a text is open, Barthes suggests these 5 following codes can be used to unlock the meaning of a text: Enigma Code Action Code Semantic Code Symbolic Code Referential Code Most texts will follow at least a few of these codes, if not all and they're all used to drive the narrative forward in different ways.  The enigma code is an unanswered question, a mystery. Clues will be given throughout the text for the mystery to be resolved and the effect of the enigma makes the audience want to know more. Unresolved enigmas tend to frustrate an audience but also makes a text open for interpretation.  The action code is there to crea
Read more

The Lady from Shanghai scene analysis

Image
The Lady from Shanghai scene analysis The Aquarium scene: Mise-én-scéne: Lights flickering through the movement of the water in the aquariums in the background creates an uncertainty in the scene and makes it feel a bit eerie. There are also visible silhouettes of the fish, sharks and octopuses. Performance:  Michael and Elsa step closer to each other as they profess their undying love for each other. As the tension starts to build when they read Michaels confession they move further apart and walk around to create a more dramatic dynamic. Their facial expressions are quite bleak and neutral even though it is a very dramatic scene. 
Read more

Editing Techniques

Editing! Q1: The cut is the most basic editing techniques and is essentially cutting from one shot to another. Q2: The purpose of the cut is to change the perspective and to advance the story. Q3: Cutting in action is cutting a scene whilst the subject still is in motion. Q4: Cutting in action is often used on punches and kicks but can be as simple as a character turning or someone walking through a door. Q5: Cut away is when you cut to an insert shot and then back. Q6: The purpose of a cut away is to show that something is a part of the same diegesis or e.g showing what's going o in a character's head. Q7: Cross cutting is when the editor intercuts between locations. Most phone conversations in films are usually cross cut. Q8: When cross cutting is used effectively it can amp up the tension and suspense in a sequence. It's also used to show what's going on in a character's head. Q9: Jump cuts is when the editor cuts between the same shot and is usually us
Read more